Spectreview: Floating Rooms – Tired and True [EP]

Released: October 30, 2020

Indie Rock
(Dream Pop)
(Art Pop)

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“I have darkness
and I have light
I am whole
so I can’t deny
any side
of myself
“

The title really says it all. Floating Rooms’ new EP features an exhausted Maya Stoner speaking directly from the uncomfortable parts of the brain, the ones bound by barriers self-erected from a lifetime of social pressure. She, like many of us, has a lot to air out. Unlike many of us, her issues stem from constantly projecting strength in a specifically-unfriendly territory, and the enervation that emerges from that struggle. It’s a succinct concept that’s expressed over five stellar songs in the lineage of Deerhunter’s textural latent-pop and Melody’s Echo Chamber’s hi-fi swirl, with Stoner’s vocals pointedly out front in the mix.

It’s hard to pick out a clear highlight, but early single “Held Open Door” might just do the job as an Omnichord flourishes lean against a disco-like rhythm section while Stoner comes to grips with a hard-fought life. But “Freakshow,” with its sighing chords and repudiative vocal delivery, comes close. As does the post-punk-adjacent “Gun,” which closes the collection on a precipitous edge with lyrics so palpably emo they approach camp. Without an obvious zenith, Tired and True is instead a wholly-enjoyable outing that accomplishes, to this listener’s ears, the best thing an EP can do: leave you wanting more as soon as it’s over.

Recommended for staying off of social media.

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