Author: Rob Moura
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Spectreview: Dravus House – Dravus House
Dravus House’s self-titled 2019 debut is a confident, serene collection of stylistically varied roots folk.
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Spectreview: bauwaves – u r everything
bauwaves’ u r everything is a quick and dirty foray into SST-indebted alt-rock that's lifted by Lew Houston’s captivatingly harrowing vocals.
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Spectreview: Tame Impala – The Slow Rush
Kevin Parker’s fourth album under Tame Impala, while his first to produce diminishing returns, is still a sublimely optimistic groove that can’t fully mask his anxieties.
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Spectreview: Mush – 3D Routine
Leeds punks Mush taunt the status quo in the angular art-rock of 3D Routine.
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Spectreview: Curling – Definitely Band
Curling’s incredible Definitely Band turns the passionate melodicism of their debut up to 11.
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Spectreview: Navy Blue – Àdá Irin
After years of mixtapes and features, Sage Elsesser finally drops a powerful debut record based in gorgeously downcast, jazz-oriented lo-fi.
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Spectreview: Henderson Century – 100
Henderson Century’s 100 pushes the needle into the red while retaining the starkly beautiful melodies of his debut.
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Spectreview: draag me – I Am Gambling With My Life
Spirit of the Beehive’s Zack Schwartz constructs a glitchy, lo-fi wonderland in I Am Gambling With My Life.
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Spectreview: Destroyer – Have We Met
25 years in, Dan Bejar looks back (and inward) amid the burbling electronics and charmingly archaic synth lines of Destroyer's Have We Met.
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Spectreview – En Attendant Ana – Juillet
Focus and confidence define the surging indie-pop of En Attendant Ana’s Juillet.